It’s all ture,man

by LazyBackHome

In all pre-modern civilizations, “gods” entrusted “messengers” with power, gathering followers and performing miracles. Through complex rituals, gods often became mysterious and surreal.Today, with highly developed internet media and millisecond-level information transmission, the mesmerizing experience of faith is almost revived. Empowered by algorithms, divine will emerges from the internet’s “no-man’s land.”

2022.12.24-2023.03.12,

Curated by Martin Goya Business、IMAGOKINETICS、B1OCK Gallery

THE SHIP OF FOOLS

8’23‘’

Digital Film

H.264

2022 2560×1600

Continuing the obsession with “humanity out of control” and based on the science of communication, the work takes a religious look at the post-Internet society. “Ship of Fools” originates from the satirical poem published by Sebastian Brandt in Basel in 1494. The metaphors of the “ship of fools” presents fluid symbolism in different times. Unlike Noah’s Ark which is seen as a vessel of future and hope, the “ship of fools” is more of an ambiguous transition, the “heretic” expelled under discourse and regulations.

ENTER TO WATCH THE FILM

HEDONIA

60cmX100cm

3D Printing + Mixed Media + Acrylic

Sculpture

2+1AP 2022

In Michel Foucault’s Madness and Civilization, Hedonia is described as a goddess of indulgence. The blue-skinned protagonist serves as a reflection of the artist’s personal experiences. Like many of her millennial peers, she navigates the tensions between national identity and cognitive dissonance—an internal conflict that shapes her self-perception.The erosion of geographical boundaries has intensified the pull between a Westernized mindset and a culturally rooted reality, leaving her grappling with the seemingly simple yet profound question: “Who am I?”